Archive for the ‘intentionality’ Category
21 – dolphins, bonobos, sex and pleasure

bonobos at Jacksonville zoo
I enjoyed a little boat trip off the north-east coast of Kangaroo Island recently. The owner, our guide, bounced us up and down the shoreline east of Christmas Cove to view caves in the limestone cliffs, seabirds such as wedge-tailed eagles on the cliff-tops, and above all to search for a pod of dolphins known to be using the area as a daytime resting-place.
After a few bouts of bouncing eastward and westward we were becoming skeptical, though by no means annoyed. A year before, the island, Australia’s third largest after Tasmania and Melville Island, had been ravaged by bushfires, devastating vegetation and wildlife, and seriously damaging the island’s fragile economy, not to say ecology, and we were happy to make our tiny contribution without great expectations of sighting fabulous beasties.
So we were delighted, on heading eastward again, to spot a few fins bobbing and dipping in the water ahead. Slowing toward them, we were told there were about 25 dolphins in this pod (the term was first used by whalers in the early nineteenth century, for reasons unknown). I soon gave up trying to count them as identical-looking fins appeared and disappeared and vaguely discerned bodies twisted and turned just below the surface. They seemed to form pairs now and then, breaking the surface sleekly and synchronously in elegant arcs. Dolphins, I learned, spend their days lolling about near the shore in these pods after a night of hunting out at sea. They seemed aware but unconcerned about our presence, and at one time the whole group disappeared then reappeared on the other side of our boat, bobbing and slow-twirling as before.
I was struck by a remark by our guide that dolphins are one of the few mammals that mate for fun or pleasure. Of course I made an immediate connection with bonobos, but then I wondered, what does the verb, to mate, exactly mean? We humans never describe ourselves as mating, that’s for the birds, etc. We fuck, screw, bonk, shag, hump and bone, we more coyly sleep together, and more romantically make love (not allowed for other species), but we’re way above mating.
‘Mating’ brings up two internet definitions, the action of animals coming together to breed, and copulation. So dolphins, and bonobos and humans, often come together to breed – but actually not to breed. As for copulation, that’s rarely used for humans, just as fornication is rarely used for non-humans. The latter is, of course, a term of mostly religious disapproval, and non-humans are too lowly to be worthy of moral judgment.
Of course we do apply mating to humans with a pinch of irony, as in the mating game, and this blurs the line between humans and others, but not enough for me. The point is that dolphins and bonobos use sex, which may not be the full rumpy-pumpy (dolphins don’t even have rumps to speak of), to bond with each other, to ease tension, to have fun, as our guide said. But then, don’t all species have sex purely for pleasure, or at least because driven to do so, by sensation? Do cats, dogs, birds and flies have sex with the intention of reproducing? I don’t think so.
Human sex is pleasurable, so I’ve heard, and I expect bonobo sex is too. Fly sex probably not, or so I thought, but I’m probably wrong. Researchers have found that male fruit flies enjoy ejaculating, and tend to consume alcohol when denied sex. I know exactly how they feel. Anyway, fruit flies have long been favourites for biological research, and more recently they’ve found that ‘a protein present in the ejaculate of male fruit flies activates long-term memory formation in the brains of their female partners’. It rather makes me wonder what effect this kind of research has on the researchers themselves, but I’m sure it’s all for the best.
One thing is certain, cats and dogs, and I’ve had a few, feel pleasure. Cats are appallingly sensual, and I’ve probably had more sexual advances from dogs than from humans, though whether they involved pleasure I can’t be sure. Generally our understanding of non-human sex has expanded in recent decades, as our sense of our specialness in everything has receded. It’s also true that we’ve tended to look at other species with a scientific instrumentalism, that’s to say from the viewpoint of evolution, breeding, genetics and other forms of categorisation, rather from an emotional or sensory viewpoint.
When I was very young I read a book by Ernest Thompson Seton called The biography of a grizzly. This story of Wahb, a male grizzly whose family was wiped out by hunters, and who survived to become the most powerful bear in the region, before inevitable decline and death, had an unforgettable emotional impact. I’m glad I read it though, as, sentimentalised though it might’ve been, it inoculated me against the scientific tendency, now changing, to see any animal as an it, rather than he or she or dad or mum or brother or sister. So this idea of putting oneself in the paws of a grizzly or the feet of a bonobo has long been perfectly legitimate to me.
In 2014 Jason Goldman wrote an article entitled Do animals have sex for pleasure?, in which he cited many instances of other species – bonobos of course heading the list – engaging in oral and penetrative sex ‘out of season’, when pregnancy is precluded. They include capuchin monkeys, macaques, spotted hyenas, bears, lions and fruit bats. It stands to reason that the physiological, whole-of body pleasure we derive from sex is shared by other species, and is indulged by them, and this includes what we call homosex, and masturbation. Australia’s premier science magazine, Cosmos, claimed a few years ago that some 6000 species (or was it 600?) have been observed engaging in homosexual activity, which does sound funny when talking about what we would habitually call lower life forms.
All of these findings have had the effect, and perhaps the intention, of loosening our uptight attitudes toward sex, as well as upending our notions of human specialness. But the behaviour of bonobos, who at times look strikingly like us, is more immediately impactful than anything fruit flies or fruit bats might do. Just the other day I watched a video of bonobos in Jacksonville zoo, Florida. Two of them were lying on the ground close together, and kissing each other, on the lips, again and again. Were they male? female? one of each? Who knows, it was so beautiful to watch.
References
Ernest Thompson Seton, The biography of a grizzly, 1900.
https://www.the-scientist.com/news-opinion/male-fruit-flies-take-pleasure-in-having-sex-30867
https://www.the-scientist.com/news-opinion/sex-promotes-lasting-memories-in-female-flies-66763
Bonobos at Jacksonville Zoo (video)
some thoughts on blackface, racism and (maybe) cultural appropriation

I’ve been only half-listening to the apparent furore about some politician having worn ‘blackface’ decades ago to a fancy-dress party (I may not even have those facts straight) and I’ve been struck by the absoluteness of pundits’ condemnation of this behaviour as deeply offensive. So heads must roll.
This is apparently about ‘race’, and black-white relations, but it has occurred to me, or rather it occurred to me over 40 years ago, that there are no ‘white’ people, and no ‘black’ people. This was a matter of very basic observation – every human on Earth (even albinos) is a shade of brown. Later, certainly by the early eighties, I had another, deeper concern. Is there such a thing as race? This wasn’t a thought driven so much by observation, but by my reading at the time. And the person who switched me on to this fascinating question, more than anyone else, was the great 20th century anthropologist and public intellectual Ashley Montagu.
In around 1983-1984 I was sharing house, as I’d been doing for years, and engaging in high-octane mostly pseudo-intellectual argy-bargy with mostly reluctant co-tenants on any subject worth mentioning. During one of these sessions I tossed out the line that ‘there’s no such thing as race’. An eruption of mockery and disdain followed, so over the the next few days or more I betook myself to Adelaide University’s Barr-Smith library, a favourite haunt in those days, and did what research I could. I ended up writing several foolscap pages in my tiny script – pre-computer days – ‘proving’ my ‘race is a myth’ thesis, which I handed to my opponent. He refused to read it, unsurprisingly.
Those old pages are either lost or hidden among the piles of pre-computer writing mouldering about my house, so now I’m going to think about the topic afresh. One question that interests me is this – if races don’t exist, can racism be said to exist? Obviously there is discrimination of people based on their skin colour, their religion and their ‘ethnicity’ – another concept that needs examination – but should we use terms other than ‘racism’ to describe this?
If there is such a thing as race, then we should be able to determine what the different races are, and how many, but we certainly know that all humans are able to breed with all other humans of the opposite sex, regardless of which race they might belong to. So race, supposing it to be a concept describing something existent in the world, is unlikely to be anything pure or stable. Jefferson Fish, author of ‘The Myth of Race’, distinguishes between social and biological race. Social race just fits with the popular conception. Africans don’t look like Europeans (and their differences in looks can be vaguely described), and so they belong to different races in this respect. Chinese/Japanese/Koreans all belong to another race (because we Europeans can’t tell them apart), Melanesians another, Indians/Pakistanis another, and so on – but don’t examine this too deeply or it will all fall apart. Biological race, on the other hand, doesn’t exist, according to Fish, and many others. Craig Venter baldly stated in 2000, at the completion of the human genome project, “The concept of race has no genetic or scientific basis.” The genome was deliberately assembled from a number of human subjects who self-identified as members of different races.
I don’t think we need go further into the science of this here. Racism exists because some people believe, for whatever reasons, that ‘white’ people are superior to ‘black’ people, that Asians are superior/inferior to Europeans, etc etc. Sometimes the discrimination is called something else – Islamophobia, anti-Semitism, Indophobia, Francophobia, whatever. But sometimes ‘racism’ is used for something a little different from ‘race hatred’. It’s used for having insufficient sensitivity or respect for someone of another ‘race’. Or, I suppose, for someone who is ‘different’. And that’s where ‘blackface’ comes in, apparently.
The idea is that if you blacken your face to represent a ‘black person’, or a person with (considerably?) darker skin than yourself, whatever your intention, you are insulting/mocking that person and the ‘race’ s/he belongs to.
When I think of ‘blackface’ I think of The Black and White Minstrel Show of my youth, and Al Jolson singing ‘Mammy’. People nowadays don’t condemn these examples, they largely excuse them as naive, aspects of an age of innocence. The same people nowadays say that blackface is verboten because it returns us to a history of dressing up as black people to represent barbarity, violence and general lack of civilisation.
Really?
I will use an Australian essay by Marion Gray for The Conversation as a typical example of the argument that if you dress up like someone of another culture/race etc you might offend, so you shouldn’t do it, though you might just be excused on the basis of naïveté. The essay is titled ‘Explainer: why blackface (and brownface) offend.‘ So there are poor benighted people out there who need to have it ‘explained’ to them that dressing up as someone you admire (but whose shade of brown skin is a long way from your own) by changing your skin colour to look more like them – well, that’s a complete no-no. It’s okay (perhaps) to dress up like them (watch out for cultural appropriation), but changing skin colour – even though it’s the most obvious way to look like your hero/ine – just can’t be done, because people used to do this for completely different purposes in the past. Here’s how Gray puts it re US history.
In 19th century America, white performers would put dark paint on their faces and perform ridiculous stereotypes about African Americans in Minstrel shows. As Norm Sheehan has written, blackface began as a popular movement that ridiculed and lampooned African Americans leading up to the American Civil War. It continued until the 1970s.
This passage strikes me as overly simplistic, to put it mildly. It may well be that some nineteenth century blackface was meant to mock ‘black’ people, just as whiteface was used by dark-skinned people to mock ‘whites’, but it’s surely also true that motives and intentions were mixed – and undoubtedly much more so in the 20th century.
Let’s go further back to the case of Shakespeare’s Moor of Venice, whose skin colour is never specified but was often assumed to be – well, dark. We don’t know if the earliest actors wore blackface for Othello (in England), but it’s certain that anyone of dark skin (a ‘savage’ in those days) would be prohibited from acting, just as women were. And it’s absurd to suppose that a blackface actor would be mocking the Moor, a serious and tragic figure, just as it would be absurd to suppose that the male actors playing women were somehow mocking Shakespeare’s multivarious and complex female characters. As we know, in the twentieth century famous ‘black’ and ‘white’ actors have played Othello on screen, with the utmost seriousness, though in the past half-century the role has rightly been seen as a perfect vehicle for ‘black’ actors, given the lack of substantive roles for them in plays from earlier times.
My main point here is that intention should be everything, as it is in law. Take, for example, the BBC’s Black and White Minstrel Show, which ran from 1958 to 1978. It’s described by just about everyone writing in the late 20th century and the 21st as overtly racist, but I would describe it instead as an increasingly ham-fisted attempt to suggest that ‘black’ and ‘white’ people might get along through singalong. Born at a time when racial discrimination was beginning to be raised as a serious issue in Britain, as immigrants were beginning to arrive from the colonies, it harked back to old days of Jolson-style music hall in an increasingly faux-innocent way, but it was never, I think, intended to mock or insult people of non-anglosaxon colours. That’s the issue for me. Racism is about disparaging people due either to the colour of their skin – which is an obviously trivial category – or to other features of ‘social race’, as mentioned above, and this might be the clothes they wear, the language they speak, the food they eat, the customs they keep or any form of identifiable ‘otherness’. So it’s really about discrimination, not race.
It’s hard not to bring up the issue of identity politics here, and it’s easy for me, as white, male, able-bodied, heterosexual, more or less déclassé, and boring in so many other ways, to be dismissive of those who identify as different and in some sense oppressed, but I do take my humanism seriously and try to take people as I find them. As a bit of a loner, I don’t personally know a lot of oppressed people, or privileged people, or people for that matter, so I can’t always tell whether people are generally aggrieved and offended or just getting on their high horse for politically opportunistic reasons. We do seem sometimes to take our ‘offence’ to absurd extremes. No Cowboys and and Indians nowadays, and that’s fine, but was it ever mockery? Stereotyping, yes, but that’s what kids do. First they stereotype, then over time and brain development they learn about nuance and complexity. Dress-ups too, is a time for play, for a bit of silliness, and that means stereotyping, dressing as a ‘typical’ sailor, or nun, or pirate, or geisha or whatever.
And here’s one final example. Imagine you’re invited to a fancy-dress party, and you’re asked to go as one of your historical idols. You happen to be ‘white’ but your chosen idol happens to be ‘black’. Maybe it’s Michael Jackson, or Mohammed Ali, or Martin Luther King. So you start to dress up, but realise nobody’s going to guess who you are unless, shock horror, you darken your skin. So you’re applying ye old boot polish when your girlfriend arrives and asks what you’re doing. When you explain, she looks shocked and horrified, ‘oh no, you can’t do that!’ (or maybe ‘oh dear, what can I do, baby’s in black and I’m feeling blue, tell me oh, what can I do?’). So you’re reduced to going to the party in your birthday ‘white’ (but with Mohammed Ali’s boxing gloves and poetic patter) and when you tell people who you’re dressed up as, you might well get the response ‘so you think Ali was/ should’ve been a white man, eh? Well how’d you like them uppercuts?’
It’s all a bit of a mindfield. Some say that wearing ‘blackface’ can be forgiven if people don’t know their history, for then they’re condemned to repeat it. I respectfully disagree. You can dress up to look like someone else, including lightening or darkening your skin, while knowing all the history you need to know. You’re not repeating history if your intentions are more or less completely the opposite of those of the past.